eleonora toniolo

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	<title>eleonora toniolo</title>
	<link>https://etetet.online</link>
	<description>eleonora toniolo</description>
	<pubDate>Fri, 04 Sep 2026 08:44:25 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://etetet.online/Home</link>

		<pubDate>Fri, 19 Jan 2024 15:00:28 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

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		<title>It's Too Late. Do It Anyway!</title>
				
		<link>https://etetet.online/It-s-Too-Late-Do-It-Anyway</link>

		<pubDate>Wed, 18 Jun 2025 14:16:20 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/It-s-Too-Late-Do-It-Anyway</guid>

		<description>It’s Too Late. Do It Anyway!&#38;nbsp;editorial design, production

&#60;img width="2430" height="1848" width_o="2430" height_o="1848" data-src="https://freight.cargo.site/t/original/i/3bbb330d9ba6c9852d287645d84ebf39fc5312b5bc05d1a64ba21bc2794057cb/combo.jpg" data-mid="235054838" border="0"  src="https://freight.cargo.site/w/1000/i/3bbb330d9ba6c9852d287645d84ebf39fc5312b5bc05d1a64ba21bc2794057cb/combo.jpg" /&#62;

It’s Too Late. Do It Anyway! is two books in one, created for cultural workers who want to get off the racial capitalist high-speed-train-to-nowhere and start structuring revolution through collective care.Part exhibition catalogue, part time travel, part essay, and part manual, I developed the layout for It’s Too Late. Do It Anyway! in dialogue with curators Cassie Thornton and Magdalena Jadwiga Härtelova in order to find the right place for all the voices and timelines involved.I closely followed the printing process after we decided to print the publication in Berlin at hinkelsteindruck, to make sure the color appeared as desired.


It’s Too Late. Do It Anyway! offers two routes into a fractal support network designed to shed absurd, useless forms of artworld prestige in favor of collectively producing a world organized to support caregivers.&#38;nbsp; It’s Too Late tells the true story of an exhibition about care that exposed the difference between making symbolic gestures and actually doing something. Do It Anyway! serves as a manual for The Hologram, a prism-shaped collective care protocol conceptualized by artist Cassie Thornton, inspired by the Social Solidarity Clinic of Thessaloniki in Greece, and now practiced by people all over the world.


Published by Thick PressCurated by Cassie Thornton and Magdalena Jadwiga HärtelovaWriting: Cassie Thornton, Magdalena Jadwiga Härtelova, The Hologram community, Lita Wallis, Prem Krishnamurthy, Ruth Catlow, Amanda Nudelman, Fran Ugalde, Jennifer Bazar Editing: Heather Kapplow and Thick PressProofreading: Demi Lee


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		<title>Wie fühlt sich Demokratie an? </title>
				
		<link>https://etetet.online/Wie-fuhlt-sich-Demokratie-an</link>

		<pubDate>Fri, 04 Sep 2026 08:44:25 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/Wie-fuhlt-sich-Demokratie-an</guid>

		<description>Wie fühlt sich Demokratie an?&#38;nbsp;a zine workshop&#38;nbsp;

&#60;img width="1031" height="1031" width_o="1031" height_o="1031" data-src="https://freight.cargo.site/t/original/i/09e3b6bfd4e594f9a40a270cefc417eea93143562680db5077d7e4cb6e7ef93d/poster-clean.jpg" data-mid="251834846" border="0"  src="https://freight.cargo.site/w/1000/i/09e3b6bfd4e594f9a40a270cefc417eea93143562680db5077d7e4cb6e7ef93d/poster-clean.jpg" /&#62;


Co-organized with&#38;nbsp;Mujgan Abdulzade for forum 1848 am Friedhof der Märzgefallenen.

The cemetery is an important historical site connected to the 1848 Revolution. People took to the barricades and fought for their rights, making it a significant place in the history of the origins of democracy in Europe.

We invited participants to explore the cemetery spatially, paying attention to the names on the tombstones, the effigies, and the inscriptions. We provided a zine template and prompted participants with questions about their own experiences of democratic processes.

Using frottage, photography, copies of historical documents and collage, participants responded to these questions in visual and creative ways. At the same time, Forum 1848 staff interviewed them about their personal experiences and understandings of democracy.

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		<title>Das Hologramm</title>
				
		<link>https://etetet.online/Das-Hologramm</link>

		<pubDate>Wed, 18 Jun 2025 15:44:02 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/Das-Hologramm</guid>

		<description>Das Hologramm&#38;nbsp;editorial

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Brochure with instructions in German on how to conduct a Hologram session—a peer-to-peer health and support protocol.

Translation by flupsi and florence.


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		<title>Wohnraumkombinat</title>
				
		<link>https://etetet.online/Wohnraumkombinat</link>

		<pubDate>Thu, 19 Jun 2025 13:27:05 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/Wohnraumkombinat</guid>

		<description>Wohnraumkombinat&#38;nbsp;logo
&#60;img width="2833" height="2834" width_o="2833" height_o="2834" data-src="https://freight.cargo.site/t/original/i/cf7376afc1e3521750f99ff09101bda8909701b4f3049123ed0b39b46e2a9fd2/WRK_businescard.jpg" data-mid="234760191" border="0"  src="https://freight.cargo.site/w/1000/i/cf7376afc1e3521750f99ff09101bda8909701b4f3049123ed0b39b46e2a9fd2/WRK_businescard.jpg" /&#62;Logo and business card&#38;nbsp;for the vintage lamps shop&#38;nbsp;wohnraumkombinatThe client wanted a logo that is honest and down-to-earth, with a charismatic &#38;nbsp;Space Age feel. His brief included bold forms and a nostalgic palette of orange, brown, red, mustard yellow and chrome evoke warmth, comfort and East German nostalgia.
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		<title>Mogool Bikes</title>
				
		<link>https://etetet.online/Mogool-Bikes</link>

		<pubDate>Fri, 20 Jun 2025 09:15:35 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/Mogool-Bikes</guid>

		<description>Mogool Bikes&#38;nbsp;logo redesign, branding
&#60;img width="1290" height="1720" width_o="1290" height_o="1720" data-src="https://freight.cargo.site/t/original/i/e3d7578f1c575366fab660b7c26288c83d054b8569e1d0889b97375f2c2bbc76/Mogool_shop-webres.jpg" data-mid="234787277" border="0"  src="https://freight.cargo.site/w/1000/i/e3d7578f1c575366fab660b7c26288c83d054b8569e1d0889b97375f2c2bbc76/Mogool_shop-webres.jpg" /&#62;The new owners of Mogool Bikes wanted to modernize the existing logo. They liked the concept of the original, but wanted to give it a more coherent and contemporary feel.

&#60;img width="1920" height="1102" width_o="1920" height_o="1102" data-src="https://freight.cargo.site/t/original/i/366a94a61be7f186f25e84c3e7f07d997345f9c2bb4ae81676937eacf24441c0/logos-sidetoside.jpg" data-mid="252812181" border="0"  src="https://freight.cargo.site/w/1000/i/366a94a61be7f186f25e84c3e7f07d997345f9c2bb4ae81676937eacf24441c0/logos-sidetoside.jpg" /&#62;
The M is composed of chain links, as in the original logo, but has been made bolder and friendlier. The two Os in Mogool are joined to form a chain link, echoing the logomark and creating a visual connection between the wordmark and the symbol.
Together with the clients, we chose a colour that would stand out among Berlin’s bike shops while giving the brand a fresh and energetic feel. I also prepared light branding guidelines for the use of colours and fonts across their website and other materials, helping to create a consistent overall image.&#60;img width="2382" height="2382" width_o="2382" height_o="2382" data-src="https://freight.cargo.site/t/original/i/8955ae1e19685e690d0a5e5c8e49aea4c9733486a2695bfdc7497bdbe6f85555/LOGOTYPE_weissauflila.png" data-mid="234787327" border="0"  src="https://freight.cargo.site/w/1000/i/8955ae1e19685e690d0a5e5c8e49aea4c9733486a2695bfdc7497bdbe6f85555/LOGOTYPE_weissauflila.png" /&#62;</description>
		
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		<title>The desert it opposes</title>
				
		<link>https://etetet.online/The-desert-it-opposes-1</link>

		<pubDate>Fri, 15 Oct 2021 11:08:47 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/The-desert-it-opposes-1</guid>

		<description>The desert it opposes&#38;nbsp;research, training, website, tools, installation

&#60;img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/5655d75b2c4be9950deb04596fc6aa4f219f5d21b52ec476a3ccb2b33b0e0ffd/eleonora-toniolo_MG_0137-srgb.jpg" data-mid="121705901" border="0"  src="https://freight.cargo.site/w/1000/i/5655d75b2c4be9950deb04596fc6aa4f219f5d21b52ec476a3ccb2b33b0e0ffd/eleonora-toniolo_MG_0137-srgb.jpg" /&#62;
photo by Femke Reijerman&#38;nbsp;
The Desert it Opposes is a training that employs silence as a transformative tool to excercise mutual listening. Its intention is to shape non-hierarchical forms of discussion as a first step to create inclusive spaces withinin educational and business structures. Through a set of protocols, the project investigates how changing the rules of conversation can shift behaviors: it is not a technique to end disagreement but a way to encourage openness to different perspectives.

As Calvino wrote that “each city receives its form from the desert it opposes,” so is every dialogue woven by the silences it contrasts, the latter being a necessary vessel that allows to receive what’s being heard and to slow down the rhytm of interaction.

The training is facilitated by the moderator through the use of a collection of tools that create the setting for the training to happen and support the practice.
The soft clock—a visual metronome ringing at fast, medium, long or extended intervals—sets the duration of the exercises. The talking stick—a quiet remembrance of a microphone—creates the opportunity for all to be listened to. It signals who is to listen in a specific moment and can be used to establish the order of interaction. 
The mats—that allow for different body positions—set the stage and can be split in different configuartion to allow specific roles to the participants.

Adopting the role of the moderator, the designer constructs the flow of interaction and distributes silence and speech, using rules as generators of new collaborative approaches.

This research has been part of the 2021 MAPPs of the School of Commons,&#38;nbsp;a community-based initiative dedicated to the study and development of self-organized knowledge, located at the Zurich University of the Arts.

↳ the project has been exhibited as part of ITALY: A New Collective Landscape at the Hong Kong Design Institute, until May 19th 2024

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c06087ab806907932b9a89b5af8f24e88c36b794c7337b01ae51f8cfd2406666/video_installation.jpg" data-mid="121708884" border="0"  src="https://freight.cargo.site/w/1000/i/c06087ab806907932b9a89b5af8f24e88c36b794c7337b01ae51f8cfd2406666/video_installation.jpg" /&#62;
still from the tutorial video for the DDW installation


&#60;img width="2880" height="1752" width_o="2880" height_o="1752" data-src="https://freight.cargo.site/t/original/i/a792aadb65471c1ba534b443815c63f8761c4f85266a9be885d5c2094e9f4779/Screenshot-2021-10-15-at-17.40.02.png" data-mid="121707711" border="0"  src="https://freight.cargo.site/w/1000/i/a792aadb65471c1ba534b443815c63f8761c4f85266a9be885d5c2094e9f4779/Screenshot-2021-10-15-at-17.40.02.png" /&#62;

The website used to act as an archive of the practical research as a way to make the exercises accessible. In addition, the soft clock, a randomized visual timer, was available for use.</description>
		
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		<title>noi</title>
				
		<link>https://etetet.online/noi</link>

		<pubDate>Thu, 20 Jul 2023 08:56:36 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/noi</guid>

		<description>NOI&#38;nbsp;card game

&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/d5f889f9f656caff2e07b866dbd8cd95bad030006645f508b8a4e8663c4c5088/Commopoly-D2_1.30.2.jpg" data-mid="185585888" border="0"  src="https://freight.cargo.site/w/1000/i/d5f889f9f656caff2e07b866dbd8cd95bad030006645f508b8a4e8663c4c5088/Commopoly-D2_1.30.2.jpg" /&#62;NOI session&#38;nbsp;at the Commopoly event in Marzahn, March 2023. Photo: Edgard Berendsen 
In 2022 I was approached by Gabriel Hensche and Engy Mohsen to add a game to their series How To Love Many In Many Ways,&#38;nbsp;an open-edition collection of games, exercises, and playful texts that depart from expanded notions of “love.”Elaborating on listening as on possible expression of love, I developed a card game inspired by the UNO game but centered around conversation and mutual listening.

All games are thought ot be shared andare&#38;nbsp;easy to print on A4 paper. They are&#38;nbsp;published online under the Creative Commons license.&#38;nbsp;This license lets others remix, adapt, and build upon the work non-commercially, as long as they credit the artist and license their new creations under the identical terms. 

In 2023, Gabriel Hensche and I were invited to organize games in the context of Commopoly, a participatory art project by Curatorial Collective for Public Art and Parzelle X. For these events, we planned a system of five “levels” : in the first 3 rounds the conversation topics would become increasingly difficult, while in the last 2 rounds players would have to relate to each other with bodily exercises taken form the How To Love Many In Many Ways.
The intention was to engage locals around topics such as neighborly relationships and the commons. At each level they would win points, in the form of plant seeds, that they then planted on the field and will be harvested at the closing event in September.&#38;nbsp;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ce86528a41ef58d9f2e9c67aa0429d0b18d6d561542ec2ba4e2faf0c6ed10913/Commopoly-D2_1.38.2.jpg" data-mid="185587927" border="0"  src="https://freight.cargo.site/w/1000/i/ce86528a41ef58d9f2e9c67aa0429d0b18d6d561542ec2ba4e2faf0c6ed10913/Commopoly-D2_1.38.2.jpg" /&#62;
NOI session at the Commopoly event in Marzahn, March 2023. Photo: Edgard Berendsen


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7798e371b022f88387bbe3b95881340eaa47e0547f4f672f7974dc7607fdbabc/Commopoly-D5_1.17.1.jpg" data-mid="185588276" border="0"  src="https://freight.cargo.site/w/1000/i/7798e371b022f88387bbe3b95881340eaa47e0547f4f672f7974dc7607fdbabc/Commopoly-D5_1.17.1.jpg" /&#62;
Players at the second Commopoly event in Marzahn, May 2023. Photo: Edgard Berendsen</description>
		
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	<item>
		<title>Sliths in the monolith</title>
				
		<link>https://etetet.online/Sliths-in-the-monolith</link>

		<pubDate>Thu, 20 Jul 2023 09:49:40 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/Sliths-in-the-monolith</guid>

		<description>Sliths in the monolith&#38;nbsp;a reading group about institutional critique

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/f65d06d849d8f357c01e91c2355a1a40950a623b58d4b2e7ee53e6ab09a2f09b/IMG_3341.JPG" data-mid="185589852" border="0"  src="https://freight.cargo.site/w/1000/i/f65d06d849d8f357c01e91c2355a1a40950a623b58d4b2e7ee53e6ab09a2f09b/IMG_3341.JPG" /&#62;
Session #3 at the Hopscotch Reading Room winter space

A series of reading sessions co-organized with Mio Kojima, Mujgan Abdulzade, Neige Sanchez.
Museums, galleries, art schools, and other cultural institutions have been promoting “inclusion” and “diversity” with increasing vigor. But who does this apparent change actually benefit? When museums make so-called marginalized positions more visible but still lack support systems, when decolonization is included in the curriculum, but universities still promote Western ideologies, diversity and inclusion remain a shallow promise, while discriminatory structures are solidified and marginalized positions once again exploited. 
In three sessions, we explored the friction between visibility and appropriation by reading and discussing together critical texts about art, cultural and design institutions. We examined how to shift an exploitative act of “looking at” into an intentional practice of “looking with and alongside one another” and ask how to articulate critical thinking within cultural institutions from counter-hegemonic perspectives. 

We discussed extracts from:
—“Institutional Mechanics,” from Sara Ahmed’s book “What’s the Use? On the Uses of Use,” Duke University Press.
—“Existing in the World: Blackness at the Edge of Trans Visibility,”Che Gossett and Juliana Huxtable in conversation in “Trap Door, Trans Cultural Production and the Politics of Visibility,” edited by Reina Gossett, Eric A. Stanley&#38;nbsp;and Johanna Burton
—“A Project Doomed to Fail?” by Ahmed Ansari in “Design Struggles. Intersecting Histories, Pedagogies, and Perspectives,” edited by Claudia Mareis and Nina Paim

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/be816b599bc5a753a2fe196c65456d34214bcc947dbe73a33462f4ef3b2f83cf/IMG_3275.JPG" data-mid="185590543" border="0"  src="https://freight.cargo.site/w/1000/i/be816b599bc5a753a2fe196c65456d34214bcc947dbe73a33462f4ef3b2f83cf/IMG_3275.JPG" /&#62;
Session #2 at diffrakt</description>
		
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	<item>
		<title>Ciona are doing well</title>
				
		<link>https://etetet.online/Ciona-are-doing-well-1</link>

		<pubDate>Wed, 27 Jul 2022 13:05:30 +0000</pubDate>

		<dc:creator>eleonora toniolo</dc:creator>

		<guid isPermaLink="true">https://etetet.online/Ciona-are-doing-well-1</guid>

		<description>Ciona are doing well&#38;nbsp;research, editorial

&#60;img width="3015" height="3015" width_o="3015" height_o="3015" data-src="https://freight.cargo.site/t/original/i/55e092088fcb4b3b678c3e49581f9924658739c2dbf05651ca01daf8be8d05ae/IMG_0071-3-copy.jpg" data-mid="148978467" border="0"  src="https://freight.cargo.site/w/1000/i/55e092088fcb4b3b678c3e49581f9924658739c2dbf05651ca01daf8be8d05ae/IMG_0071-3-copy.jpg" /&#62;


&#60;img width="3186" height="3187" width_o="3186" height_o="3187" data-src="https://freight.cargo.site/t/original/i/0cbafb86ec82572623da782e832e083bfd791235bfff26ff6625856f4f3d1e29/IMG_0061-copy2.jpg" data-mid="148978778" border="0"  src="https://freight.cargo.site/w/1000/i/0cbafb86ec82572623da782e832e083bfd791235bfff26ff6625856f4f3d1e29/IMG_0061-copy2.jpg" /&#62;
Ciona are doing well is a design research project made in collaboration with Benedetta Pompili.&#38;nbsp;The book focuses on Ciona intestinalis, a little-known organism, unconsidered and unrepresented in culture. It tells the life of Ciona while showing the resilient features that makes them such a special animal.Through a down to earth and playful tone, it familiarizes the readers with this alien-looking being, that is genetically closer to humans than expected.

The project is part of the&#38;nbsp;Pedagogies of the Sea course at the MA Social Design at Design Academy Eindhoven held by Angela Rui and Anastasia Kubrak. The class approaches the ocean from an ontological perspective, and explores how thinking with the ocean as a theoretical and research tool can foster the ability of designers to generate awareness and social change.
↳ Mention in Design Parallax by Angela Rui
↳ Ocean Archive

&#60;img width="3831" height="3832" width_o="3831" height_o="3832" data-src="https://freight.cargo.site/t/original/i/275deee5e12d4e7bdfae4eadae214d1ee449629dfe3e469e34c226ea663f2ef6/IMG_0077-copy.jpg" data-mid="148978693" border="0"  src="https://freight.cargo.site/w/1000/i/275deee5e12d4e7bdfae4eadae214d1ee449629dfe3e469e34c226ea663f2ef6/IMG_0077-copy.jpg" /&#62;
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